Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen.
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Eberhard Havekost is being hyped as one of the hot "Young German Artists". His subjects are banal, he copies copies, he's interested in surfaces. Art critic Elke Buhr ventures to ask if there's any depth.
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Thomas Ostermeier, director at Berlin's Schaubühne, has staged "Hedda Gabler". Henrik Ibsen, he says, has a lot to say about the world as we know it: morally improverished, metaphysically empty but not without hope.
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Walking, walking, walking. Projekt Migration is an extensive exhibition with film and music programmes telling the story of migration from the perspective of those in motion. By Katrin Bettina Müller
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Like no other painter of his generation, the terminally ill artist Jörg Immendorff took up things German in his work. In a new exhibition in Berlin he has dramatised his life's work like a brilliant play. By Hanno Rauterberg
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Artists have long attempted to transcend the surface of the painting.
Michael Burges has dissolved it entirely – in his new series of paintings
called "Virtual Space". By Gerhard Charles Rump
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Bernd and Hilla Becher travelled the world for 50 years photographing industrial buildings. On the eve of their retrospective in Berlin they talked to Cornelius Tittel about how they saved an era from being forgotten forever and set in motion the German photography boom. (Editor's note: Bernd Becher passed away on 22 June 2007 in Rostock. We put this interview, published in September 2005, once more onto our homepage in his remembrance.)
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Today's theatre is losing its pull. Why? "Maybe we don't cook so well these days. No one goes to a restaurant if it doesn't serve good food. We put ourselves 60 centimetres over other people. If we don't have anything to say, we shouldn't put ourselves there in the first place", says director Andrea Breth. An interview with Stefan Keim and Reinhard Wengierek (Image: © Bernd Uhlig)
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Burned down and raised from the ashes three times: the fabrik Potsdam produces Gemany's most courageous dance theatre. By Evelyn Finger
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The New Leipzig School is the new black. It paints the dark side of the fun society and sells like hotcakes. Christian Schüle dissects the myth.
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Once decried as degenerate, then celebrated as the height of artistic expression, the Expressionist group "Die Brücke" has been viewed very differently by the various regimes of Germany's 20th century. A turbulent history. By Christian Saehrendt
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An encounter with the artist of transience Tino Sehgal who, together
with painter Thomas Scheibitz, will represent Germany at the
Venice Biennale which opens to the public on June 12. By Sebastian Frenzel
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What happens when young people are trained in globalised consumption from babyhood on? Is there room for the self between commercialism and mass commodities? The "Coolhunters" exhibition in Karlsruhe looks at youth culture, from cheerleaders to cool rappers, from computer games to teenage suicide. By Elke Buhr
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Frankfurt's long-serving ballet director William Forsythe on his
new start with a smaller company: new ideas, new stages and an unusual
Japanese master. The new Forsythe Company debuts today in Frankfurt.
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Bernhard Heisig is a controversial figure in the German art world, having served in the SS and painted state portraits of both East and West German leaders. As a professor at the Leipzig Art School he taught the younger generation of painters now enjoying the international limelight such as Neo Rauch, Tim Eitel and Tilo Baumgärtel. The Leipzig Musem of Fine Art is currently showing a large retrospective of Heisig's work "Die Wut der Bilder".
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Could it be that other cultures find our top models ugly? The way we –
conversely – are unable to grasp that the Chinese word for beauty means
"fat sheep". A festival in Berlin examines the concept of beauty. By Arnd Wesemann
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